The Monster Manual describes Rakshasas as creatures who “employ delicacy and misdirection in their pursuit of dominion over others. Few creatures ever see the fiend in its true form, for it can take on any guise it wants, although it prefers to masquerade as someone powerful or influential.
The Monster Manual describes an encounter with Dryads: “Travelers entering a forest might catch a glimpse of a feminine form flitting through the trees. Warm laughter hangs on the air, drawing those who hear it deeper into the emerald shadows.”
The Monster Manual describes Cambions as “the offspring of a fiend (usually a succubus or incubus) and a humanoid (usually a human). Cambions inherit aspects of both parents, but their horns, leathery wings, and sinewy tails are hallmarks of their otherworldly parentage.”
The Monster Manual describes the nothic as "a monstrous creature with terrible talons and a single great eye. When driven to violence, it uses its horrific gaze to rot the flesh from its enemies’ bones."
The Monster Manual describes the Couatl as “benevolent serpentine beings of great intellect and insight. Their brilliantly colored wings and gentle manner speak to their celestial origins.”
For our inaugural round-up episode, Dylan had the idea to go through each monster from Season 1 and debate if they would Do A Murder.
Get Dylan's DM Notes, Aram's Character Sheets, Bonus Episodes, and more!
Bonus episodes and behind-the-scenes information about the making of Kill Every Monster
A great, toothy grin spread wide across Barnaby’s maw. Today was a special day—and there was still so much to do—but the brass dragon wasn’t worried. “Friends don’t mind if every detail isn’t perfect,” a…
Dylan doesn’t have any notes for the Flumph encounter (for reasons that will become clear in this bonus episode), so we put together some audio DM’s notes…then go completely off-topic.
Before we set out to record the Incubus episode, we got together with Mike to make sure we could figure out a way to handle the problematic aspects of the creature. We wanted to retain the danger of an Incubus’ charm without it being harmful to the players at the table and the audience listening.
