Aboleths are described in the Monster Manual as creatures that “lair in subterranean lakes or the rocky depths of the ocean, often surrounded by the ruins of an ancient, fallen aboleth city. An aboleth spends most of its existence underwater, surfacing occasionally to treat with visitors or deranged worshipers.”
Aboleths are described in the Monster Manual as creatures that “lair in subterranean lakes or the rocky depths of the ocean, often surrounded by the ruins of an ancient, fallen aboleth city. An aboleth spends most of its existence underwater, surfacing occasionally to treat with visitors or deranged worshipers.”
The Monster Manual describes Rakshasas as creatures who “employ delicacy and misdirection in their pursuit of dominion over others. Few creatures ever see the fiend in its true form, for it can take on any guise it wants, although it prefers to masquerade as someone powerful or influential.
The Monster Manual describes an encounter with Dryads: “Travelers entering a forest might catch a glimpse of a feminine form flitting through the trees. Warm laughter hangs on the air, drawing those who hear it deeper into the emerald shadows.”
The Monster Manual describes Cambions as “the offspring of a fiend (usually a succubus or incubus) and a humanoid (usually a human). Cambions inherit aspects of both parents, but their horns, leathery wings, and sinewy tails are hallmarks of their otherworldly parentage.”
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Bonus episodes and behind-the-scenes information about the making of Kill Every Monster
A great, toothy grin spread wide across Barnaby’s maw. Today was a special day—and there was still so much to do—but the brass dragon wasn’t worried. “Friends don’t mind if every detail isn’t perfect,” a…
Dylan doesn’t have any notes for the Flumph encounter (for reasons that will become clear in this bonus episode), so we put together some audio DM’s notes…then go completely off-topic.
Before we set out to record the Incubus episode, we got together with Mike to make sure we could figure out a way to handle the problematic aspects of the creature. We wanted to retain the danger of an Incubus’ charm without it being harmful to the players at the table and the audience listening.
